Carlo Matos is an Azorean-American writer currently living in Chicago, IL, where he teaches English at the City Colleges of Chicago by day and trains cage fighters by night. After hours he can be found entertaining clients at the Chicago Poetry Bordello.  He is also the poetry editor for City Brink.

Carlo has published five books: A School for Fishermen (BrickHouse Books), Counting Sheep Till Doomsday (BlazeVox), Ibsen’s Foreign Contagion (Academica Press), Big Bad Asterisk* (BlazeVox), and Writers of the Portuguese Diaspora (forthcoming).  His poems, stories and essays have appeared in over a dozen magazines including The Rumpus, Atticus Review, Word Riot, HTML Giant, and DIAGRAM. He blogs at Fighting and Writing.

In this interview with Paper Tape editor, Kristy Harding, Carlo talks about his novella The Secret Correspondence of Loon and Fiasco (Mayapple Press, due December 2014), artificial intelligence, California, and paradox.

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Carl Olsen got his PhD in Scandinavian Studies at UC Berkeley in 2009.  His dissertation was on viking poems about pictures of myths on shields, which is pretty much the most awesome dissertation topic ever. He continued as a lecturer at UC Berkeley until Summer 2012 and most recently taught as a Visiting Professor in the Scandinavian Department at Gustavus Adolphus College in St Peter, MN. In addition to teaching and researching, he writes poetry, draws stuff, and blogs about Vikings, Scandinavian Studies, science fiction and fantasy, and lots of other stuff at Vikings, Books, etc. You can find links to his poetry on his blog, and you can find his art both on his blog and on deviantART.

In this interview we talk about how Carl became a Doctor of Viking Studies, his art and research on the Norse sagas, and why Norse culture is more complicated than you might think.

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Maya Lionne is a genderqueer author and professor of writing, currently living in Portland, Oregon. Their work has appeared in The Pitkin Review Literary Magazine, Paper Tape, and Soul’s Road: a Fiction Collection (although you might not know it was them.) They enjoy musty old books, giant robots, and model tanks.

In this interview, we talk about Maya’s novel in progress, There are no Butterflies in Salem, what it was like when Maya first began to identify as genderqueer, and we dispel a few myths along the way.

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In this interview, we talk with Naropa MFA grad, Renee Zepeda, about her book Boy Energy: Notes on Departure, inspiration, and wanderlust.

Renee Zepeda is a poet-teacher-yogi-mystic-nature-lover currently seeking a way out of the Bermuda triangle of the Poconos.  Watch/help her escape: | .

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INTERVIEW: Annabeth Leong

Three things give Annabeth Leong a feeling of perfect peace: punching a bag, having an orgasm, and taking communion. Writing is a more tumultuous experience, but she loves it anyway. Annabeth has written romance and erotica of many flavors — dark, kinky, vanilla, straight, lesbian, bi, and menage. She particularly enjoys playing off myth, legend, fairy tales, and fantastic history. She believes passionately in freedom of speech, rights for people of all sexual orientations, and freedom of religion. She lives in Providence, Rhode Island, blogs, and tweets @AnnabethLeong.

In this interview, we talk about shame, sex, fairy tales, and what it’s like writing erotica for charity.

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INTERVIEW: Ash Nathans

Scribblegraph, a project of Australian artist Ash Nathens, started as a drawing project for his daughter, but after deciding to share his art on Google+, his work has become known the world over. Ash has recently been interviewed in Forbes and ArtInfo, and was kind enough to speak with Paper Tape about how he became the Scribbler, the development of his craft, and the future of the Scribblegraph project. 


(Ash Nathens, Street Sleeper)

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In 2010, Lee Cody put a stamp on a balloon and mailed it. His intent was to examine the US Postal Service as a predefined system, an inquiry which lead to the creation of Unmailable Objects. Since then he has examined such internet institutions as Flickr (Flickr Album) and Google (Hypertext) in work that often not only inspires, but requires direct viewer participation. A recent graduate of California College of the Arts, he has exhibits at Root Division, the Yerba Buena Center for the Arts and the internet, among others.

In this interview we talk about his work, relational art, and the way technology has (and hasn’t) impacted the art world.

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